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The Reckless Moment (1949)
After discovering the dead body of Bea Harper’s lover, Bea’s mother Lucia hides the body under the assumption that it was her daughter who killed the man.
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Blonde Ice (1948)
A golddigging femme fatale leaves a trail of men behind her, rich and poor, alive and dead.
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The Woman on the Beach (1947)
A WWII Coast Guard veteran, Lt. Scott Burnett (Robert Ryan), is plagued by nightmares of his combat days. One day, he meets a woman, Peggy Butler (Joan Bennett), walking on a beach, picking up pieces of wood. Butler is married to a grumpy, blind painter, Ted Butler (Charles Bickford). Despite his affections for his fiancée Eve (Nan Leslie), whose father is a boat builder, Scott falls in love with Peggy and soon breaks off the engagement. Peggy reveals that she blinded her husband years earlier by throwing a glass at him during an ugly spat, ruining his career and her own ambitions to be an upper-class socialite. Scott fears that Ted is suspicious that he is having an affair with Peggy and becomes so paranoid that he begins to believe that Ted is faking his blindness — and sets out to prove it. This was the fifth and final American film by the great French writer-director Jean Renoir.
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The Killers (1946)
Two professional killers invade a small town and kill a gas station attendant, “the Swede,” who’s expecting them. Insurance investigator Reardon pursues the case against the orders of his boss, who considers it trivial. Weaving together threads of the Swede’s life, Reardon uncovers a complex tale of treachery and crime, all linked with gorgeous, mysterious Kitty Collins.
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The Blue Dahlia (1946)
This film noir stars Alan Ladd as a war veteran framed for the murder of his own wife and follows his search for the real murderer. Veronica Lake plays the sultry femme fatale who provides unexpected help.
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La Devoradora (1946)
A Mexican film noir revolving around a crime: the suicide of one of Diana (María Félix)’s lovers and the disposal of his body in order to avoid a scandal. Diana not only engineers the entire scheme, but drafts her two other suitors: her fiance Adolfo (Julio Villareal) and his nephew Miguel (Luis Aldas).
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Leave Her to Heaven (1945)
A young novelist, Richard Harland, meets beautiful Ellen Berent on a train where they fall in love and are soon married. When tragedies take first his handicapped young brother, then his unborn son from him, Harland gradually realises that his wife’s insane jealousy may be the cause of the tragedies in his life. Yet another shock awaits them all, as Ellen’s emotions become uncontrollable.
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The Woman in Green (1945)
A series of murders of women, each with a forefinger posthumously removed, leads Sherlock Holmes and Dr. Watson to a society of hypnotists and a mysterious, glamorous woman. The case takes an intriguing turn when the fiendish Dr. Moriarty – last seen swinging from the hangman’s noose – appears to be involved.
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Murder, My Sweet (1944)
Detective Philip Marlowe is hired by hulking Moose Malloy to locate his old girlfriend that he lost track of while serving time in prison. With each lead he follows, Marlowe encounters lies, larceny, perjury, theft and a beautiful femme fatale. Based on Raymond Chandler’s novel “Farewell My Lovely”, which was also the film’s title in the United Kingdom.
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