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X312 – Flight to Hell (1971)
A plane leaving the turmoil of a South American country in the midst of a revolution crash-lands in the Amazon jungle in Brazil. Among the passengers are a corrupt banker who is smuggling diamonds out of the country, a reporter, a mysterious beauty and a shady flight attendant. The survivors find themselves up against not only the dangers of the jungle itself but a band of headhunters and a gang of revolutionaries who are looking for the smuggled diamonds.
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Swedish Nympho Slaves (1977)
A brothel owner is questioned in the disappearance of the daughter of a wealthy man after she is still not returned, or told of her possible whereabouts, after the $5,000,000 ransom was paid.
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Lady Dracula (1978)
A beautiful blonde bitten by Count Dracula 100 years previously is unearthed in Vienna, and soon she goes on a killing spree.
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Army of Lovers or Revolution of the Perverts (1979)
Personal diary-style documentary of German Gay rights activist Von Praunheim’s sojourn in the US.
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Siegfried (1980)
The third opera in Richard Wagner’s epic Ring cycle, Siegfried follows the adventures of the son of demigods Siegmund and Sieglinde as he conquers his enemies and rescues the beauteous Brunnhilde with the help of his magic sword. This video preserves the controversial 1976 Bayreuth Centenary production, with Pierre Boulez leading the Bayreuth Festival Orchestra. Manfred Jung leads the cast as Siegfried, with Gwyneth Jones as Brunnhilde, Donald McIntyre as the Wanderer, and Hermann Becht as Alberich.
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Der Neger Erwin (1981)
Herbert Achternbusch wrote, directed, and starred in this comedy that pokes fun at the German way of subsidizing the art of creating movies and documentaries. He is a filmmaker playing the role of a filmmaker in a film he is making, and as a result, the film jokes might be a little abstruse for some of the viewers. The story centers on a “film” man just out of prison (Achternbusch) who has to make a living with his craft again. He is followed by a reporter who wants an interview, and winds up at an inn called “Zum Neger Erwin,” run by a woman whom he convinces to be the leading lady in his planned production. As the story continues, the filmmaker finds ample excuses to pan the financial powers that be, and to paint the beknighted and talented seekers after funds as Neger Erwins, slaves to the funding process.
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C.O.D. (1981)
Albert Zack is a struggling, bumbling, advertising salesman hired to save the Beaver Bra Company from impending doom. He is charged with signing five specific, world-famous, busty woman as endorsers for the bra line. Silly antics and situations occur as he tries, mostly in various costumes, to get close enough to these women to make his pitch for their signature. Working against him are two board members who stand to gain if the company fails. As he circles the globe in search of these signatures, he is faced with a variety of challenges, one of which is a relationship with his own secretary.
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Imperative (1982)
Polish director Krzysztof Zanussi once more explores the dilemma of intellectualism at the expense of humanity in 1982’s Imperative. The story concerns math professor Robert Powell, who feels that there is something lacking in his ever-so-precise life. What is missing is truth, specifically philosophical truth. Thus he philosophizes at great length, allowing director Zanussi plenty of room for didactic but little room for warmth. Leading ladies Brigette Fossey and Leslie Caron occasionally melt through the cold logic of Imperative.
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Dorian Gray in the Mirror of the Yellow Press (1984)
Our organization will create a human being whom we can shape and manipulate according to our needs. Dorian Gray: young, rich and handsome. We will make him, seduce him and break him. Ulrike Ottinger, 1984
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