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Naya Daur (1957)
Shankar lives in a remote village in rural India with his mother and sister, Manju, and drives a horse-carriage for a living. The main employer in the region is a kind-hearted businessman Maganlal. When Maganlal announces that he would like to undertake a religious pilgrimage, his son, Kundan, takes over and wants to cut back on labor and mechanize the business – thus leading to loss in jobs
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Dhool Ka Phool (1959)
Dhool Ka Phool is a 1959 Indian Bollywood film. Produced by B. R. Chopra it was directed by BR’s brother Yash Chopra, this being Yash’s first movie as a director, having been an assistant director in BR’s earlier film Naya Daur. The film stars Mala Sinha, Rajendra Kumar, Nanda, Leela Chitnis, Jeevan and Ashok Kumar.
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Kanoon (1960)
A lawyer holds the eyewitness evidence to catch a killer, but the identified criminal is the lawyer’s own mentor, prospective father-in-law, and also the judge who presides over the case.
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Gumrah (1963)
Gumrah is a 1963 Hindi film produced and directed by B. R. Chopra. The film stars Sunil Dutt, Ashok Kumar, Mala Sinha, Nirupa Roy, Deven Verma and Shashikala. The film’s music was composed by Ravi while were by Sahir Ludhianvi. The film was remade to Malayalam as Vivahita (1970) done by super actress Padmini, Prem Nazir and Satyan. Malayalam version was also a superhit.
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Hamraaz (1967)
A stage actor from Bombay becomes entangled in a murder mystery after he falls in love with a mysterious woman in Darjeeling and marries her.
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Dhund (1973)
Dhund is the story of a young woman Rani Ranjit Singh (Zeenat Aman), whose invalid husband Thakur Ranjit Singh (Danny Denzongpa) is murdered. The finger of suspicion points at the young widow and her lover Suresh Saxena (Sanjay Khan), but the killer is someone else.
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Avam (1987)
Indian Army Captain Amar Kumar lives with his father, Ram, and mother, Saraswati. Ram has been associated with top freedom fighters during India’s struggle for independence from the British. Almost all of these freedom fighters had taken advantage of their involvement and have taken up important positions in India’s administration, and these include Jagrathan, and Mohanlal. While others like Vaisakh Ansari and Ram have chosen not to.
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Chhoti Si Baat (1975)
Arun (Amol Palekar) is a shy accountant in Bombay who dreams of romancing Prabha (Vidya Sinha), but never gets past following her around without managing to actually speak up. While Arun twiddles his thumbs, suave Nagesh (Asrani) steps into the picture and turns on the heat, prompting Arun to take “love coaching” from “romance specialist” Julius Nagendranath (Ashok Kumar) to win Prabha back. One of the funniest Hindi films of the 70s – is a nostalgic favourite for its quirky take on pre-hypercongestion Bombay. The film established Amol Palekar as having an uncommon comic talent for playing mousy characters, a role he would repeat several times in his career.
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