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…Correva l’anno di grazia 1870 (1972)
Rome, 1870. Opponents of the church power are being sent to prison. Some of the exhausted prisoners are asking for the mercy of Pope. Others, like Augusto Parenti, prefer to fight for their rights until the end. His wife, Teresa is a simple woman, who gets involved with the rebels…
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The Secret of Santa Vittoria (1969)
During World War II, Italian villagers hide their wine from the German army.
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The Fugitive Kind (1960)
Val Xavier, a drifter of obscure origins, arrives at a small town and gets a job in a store run by Lady Torrence. Her husband, Jabe M. Torrance, is dying of cancer. Val is pursued by Carol Cutere, the enigmatic local tramp-of-good-family.
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The Rose Tattoo (1955)
A grieving widow embarks on a new romance when she discovers her late husband had been cheating on her.
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We, the Women (1953)
Five portraits of actresses in their “common” life, seen as women rather than movie stars.
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The Italian Jobs: Paramount Pictures e l’Italia (2017)
“The Italian Jobs: Paramount Pictures e l’Italia” tells the story of two men, two Italian-American executives, Pilade Levi and Luigi Luraschi, who came to Italy at the end of the Second World War to recreate the Italian film industry; their work went on to have a significant influence on cinema worldwide. The idea of producing European films financed by American funds, in fact, originated in Italy with Paramount Pictures. Masterpieces such as Nights of Cabiria, Romeo and Juliet and The Conformist, to name just a few, were created precisely thanks to the work of these two men. The exclusive testimonies of Gioia Levi and Tony Luraschi, the children of the two executives, describe how their fathers were not only businessmen but how their lives were dedicated entirely to cinema.
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Teresa Venerdì (1941)
A comedy of errors in which the sweetly incompetent Dr. Pietro Vignali (de Sica) has been run deep into debt by his girlfriend, Loletta Prima (Magnani). After his creditors threaten to sell his belongings, he takes a job as an orphanage health inspector to pay his debts and ends up engaged to wealthy Lilli, daughter of a mattress tycoon, and chased after by the orphan Teresa Venerdí, while trying to keep his life in order.
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Amore (1948)
An Italian anthology film directed by Roberto Rossellini starring Anna Magnani and Federico Fellini. The film has two parts: “Una Voce Umana” (“The Human Voice”) and “Il Miracolo” (“The Miracle”).
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Bellissima (1951)
Bellissima is a satire of the film industry, and centers around a mother and daughter after the latter attends an audition.
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