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The Wave (1984)
Rahul, the son-in-law of an old industrialist and one of the heirs to his fortune, clashes with Dinesh, the industrialist’s nephew who is openly unscrupulous. Rahul, on his part, conceals his personal ambition under a cloak of liberalism and encourages indigenous production.
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Baat Ban Jaye (1986)
Wealthy Mr. Singh would like to see his daughter get married but she hates wealthy men. So he finds several poor men: Ajay Srivastav, who is already married and also has 3 daughters; Yeshwant Bhosle, a TV repairman who ends up being a multi-millionaire after his invention is marketed; Viju Guide, a Hyderabad-based Tourist Guide, who finds buried treasure and also ends up a multi-millionaire; and Prakash, a motor mechanic who ends up being the only son of wealthy builder. Finally Nisha meets her ideal match in Rukhtapur-based Suraj Singh, a wedding singer/dancer, and gets married to him. But is Suraj Singh who he really claims to be?
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Chhoti Si Baat (1975)
Arun (Amol Palekar) is a shy accountant in Bombay who dreams of romancing Prabha (Vidya Sinha), but never gets past following her around without managing to actually speak up. While Arun twiddles his thumbs, suave Nagesh (Asrani) steps into the picture and turns on the heat, prompting Arun to take “love coaching” from “romance specialist” Julius Nagendranath (Ashok Kumar) to win Prabha back. One of the funniest Hindi films of the 70s – is a nostalgic favourite for its quirky take on pre-hypercongestion Bombay. The film established Amol Palekar as having an uncommon comic talent for playing mousy characters, a role he would repeat several times in his career.
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Rang Birangi (1983)
Sparkling comedy about a meddling friend whose attempt to rekindle the spark in his friend’s relationship with his wife of seven years leads to complications to their lives, and to the lives of his secretary and her boyfriend he has not ‘scripted’ … Splendid performances by Amol Palekar, Deepti Naval, Parveen Babi and Farooq Shaikh, a perfectly pitched script, witty dialogue and a plethora of aptly placed film references make this a film one can watch over and over and never fail to laugh out loud.
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