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Any Number Can Play (1949)
Clark Gable stars in this 1949 drama, directed by Mervyn LeRoy, about a casino owner juggling both business and family problems. The cast also includes Alexis Smith, Mary Astor, Darryl Hickman, Marjorie Rambeau, Lewis Stone, Audrey Totter and Wendell Corey.
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One Last Fling (1949)
A jealous wife suspects the worst when her dingaling husband hires his former girlfriend for a position at his company.
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South of St. Louis (1949)
With the advent of the American Civil War, three partners in a ranch see how this is destroyed. Needing money, will join the Confederate troops, each for their particular motivations.
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Whiplash (1948)
An artist (Dane Clark) follows a woman (Alexis Smith) from California to New York, where he boxes for her mobster husband (Zachary Scott).
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Of Human Bondage (1946)
A medical student with a club foot falls for a beautiful but ambitious waitress. She soon leaves him, but gets pregnant and comes back to him for help.
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Night and Day (1946)
Swellegant and elegant. Delux and delovely. Cole Porter was the most sophisticated name in 20th-century songwriting. And to play him on screen, Hollywood chose debonair icon Cary Grant. Grant stars for the first time in color in this fanciful biopic. Alexis Smith plays Linda, whose serendipitous meetings with Cole lead to a meeting at the alter. More than 20 Porter songs grace this tail of triumph and tragedy, with Grand lending is amiable voice to “You’re the Top”, “Night and Day” and more. Monty Wooley, a Yale contemporary of Porter, portrays himself. And Jane Wyman, Mary Martin, Eve Arden and others provide vocals and verve. Lights down. Curtain up. Standards embraced by generations are yours to enjoy in “Night and Day.”
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San Antonio (1945)
Rancher Clay Hardin arrives in San Antonio to search for and capture Roy Stuart, notorious leader of a gang of cattle rustlers. The vicious outlaw is indeed in the Texan town, intent on winning the affections of a beautiful chanteuse named Jeanne Starr. When the lovely lady meets and falls in love with the charismatic Hardin, the stakes for both men become higher.
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Rhapsody in Blue (1945)
Fictionalized biography of George Gershwin and his fight to bring serious music to Broadway.
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The Horn Blows at Midnight (1945)
A trumpet player in a radio orchestra (Jack Benny) falls asleep during a commercial and dreams he’s the angel Athanael. The beautiful angel Elizabeth (Alexis Smith) delivers Athanael to the head of heaven’s orchestra, where he’s told to return to earth and blow his trumpet at midnight, thus marking the end of the world. When he fails his assignment, he becomes a fallen angel, and though he’s given a second chance, his fellow fallen angels conspire to keep him from completing his mission.
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The Doughgirls (1944)
Arthur and Vivian are just married, but when the get to their honeymoon suite in Washington D.C., they find it occupied. Arthur goes to meet Slade, his new boss, and when he comes back, he finds three girls in his suite. He orders Vivian to get rid of them, but they are friends of Vivian’s and as time goes by, it looks more like Grand Central Station than the quiet honeymoon suite Arthur expected. As long as there is anyone else in the suite, Arthur will not stay there and there will be no honeymoon.
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The Adventures of Mark Twain (1944)
A dramatised life of Samuel Langhorn Clemens, or Mark Twain.
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