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Anna Karenina (1948)
Stefan and Dolly Oblonsky have had a spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna’s companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it’s love at first sight when he looks at Anna and their eyes meet.
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The Shop at Sly Corner (1947)
The French owner of an antique shop, Desius Heiss, (Oskar Homolka) has become disillusioned with society since his torture as a prisoner on Devil’s island, since when he has allowed his shop to become a front for criminal activity, and he himself is a receiver of stolen goods.
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Jungle Book (1942)
Rudyard Kipling’s Jungle Book is given the full treatment in this lavish retelling filled with huge sets, exotic animals, a large cast and the incomparable Sabu, starring as Mowgli, the young orphan boy raised by wolves. Curious to reconnect with his human village, Mowgli returns only to find disappointment in the greed and treachery of man. Over time, Mowgli and the village members do grow to trust one another, but not before the village finds itself under siege. It’s up to Mowgli and his jungle friends to save the day.
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That Hamilton Woman (1941)
Sir William Hamilton, a widower of mature years, is British ambassador to the Court of Naples. Emma who comes for a visit with her mother wouldn’t cut the grade with London society but she gets along well with the Queen of Naples. Emma likes being Lady Hamilton and life goes smoothly until Lord Nelson pays a visit. Sir William decides at first to let his young wife have her fling and pretends not to know what is going on. But the real life lovers, whose first screen romance was in “Fire Over England” (1937) have an even more burning passion for each other in this film.
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Knight Without Armour (1937)
British agent working in Russia is forced to remain longer than planned once the revolution begins. After being released from prison in Siberia he posses as a Russian Commissar. Because of his position among the revolutionaries he is able to rescue a Russian countess from the Bolsheviks.
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Rembrandt (1936)
This character study joins the painter at the height of his fame in 1642, when his adored wife suddenly dies and his work takes a dark, sardonic turn that offends his patrons. By 1656, he is bankrupt but consoles himself with the company of pretty maid Hendrickje, whom he’s unable to marry. Their relationship brings ostracism but also some measure of happiness. The final scenes find him in his last year, 1669, physically enfeebled but his spirit undimmed.
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The Man Who Could Work Miracles (1936)
George McWhirter Fotheringay, while vigorously asserting the impossibility of miracles, suddenly discovers that he can perform them. After being thrown out of a bar for what is thought to be a trick, he tests his powers and eventually sends a policeman to Hades by accident. Worried, he sends the police officer to San Francisco, and seeks advice from the local clergyman, Mr Maydig. Maydig, after having Fotheringay’s powers demonstrated to him, quickly planning for reform of the world by means of miracle, but eventually Fotheringay orders a miracle which, due to clumsy wording, backfires. He relinquishes his power and returns to the time before he had it.
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The Ghost Goes West (1935)
An American businessman’s family convinces him to buy a Scottish castle and disassemble it to ship it to America brick by brick, where it will be put it back together. The castle though is not the only part of the deal, with it goes the several-hundred year old ghost who haunts it.
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The Scarlet Pimpernel (1934)
Leslie Howard plays Sir Percy Blakeney, an 18th century English aristocrat who leads a double life. He appears to be merely the effete aristocrat, but in reality is part of an underground effort to free French nobles from Robespierre’s Reign of Terror. Based on the novel by Baroness Orczy.
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The Rise of Catherine the Great (1934)
In 1745 a German princess, renamed Catherine, arrives to marry Grand Duke Peter of Russia, whom she initially likes. But his suspicious, unstable nature gradually estranges them, and Peter finds solace with pretty courtiers. Catherine invents her own (fictitious) lovers, temporarily improving matters. Alas, accession to the throne brings out the worst in Peter, and loyal Catherine is urged to assume power.
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