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A Bill of Divorcement (1940)
Father’s return from the insane asylum spells calamity for the Fairfield family.
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Letter of Introduction (1938)
An aging actor, trying to make a comeback on Broadway, is surprised when his estranged daughter shows up. It seems that she is an actress and is also trying to make it on Broadway. He tries to re-establish his relationship with her while also trying to hide the fact that she is his daughter from the press.
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The Goldwyn Follies (1938)
Movie producer chooses a simple girl to be “Miss Humanity” and to critically evalute his movies from the point of view of the ordinary person.
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One Hundred Men and a Girl (1937)
The daughter of a struggling musician forms a symphony orchestra made up of his unemployed friends and through persistence, charm and a few misunderstandings, is able to get Leopold Stokowski to lead them in a concert that leads to a radio contract.
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Sing, Baby Sing (1936)
The “Caliban-Ariel” romance of fiftysomething John Barrymore and teenager Elaine Barrie is spoofed in this delightful 20th Century Fox musical. Adolphe Menjou plays the Barrymore counterpart, a loose-living movie star with a penchant for wine, women, and more wine. Alice Faye plays a nightclub singer hungry for publicity. Her agent (Gregory Ratoff) arranges a “romance” between Faye and Menjou. Eventually Faye winds up with Michael Whalen, allowing Menjou to continue his blissful, bibulous bachelorhood. Sing, Baby, Sing represented the feature-film debut of the Ritz Brothers, who are in top form in their specialty numbers–and who are awarded a final curtain call after the “The End” title, just so the audience won’t forget them (The same device was used to introduce British actor George Sanders in Fox’s Lancer Spy [37]).
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The Milky Way (1936)
Timid milkman, Burleigh Sullivan (Lloyd), somehow knocks out a boxing champ in a brawl. The fighter’s manager decides to build up the milkman’s reputation in a series of fixed fights and then have the champ beat him to regain his title.
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Little Miss Marker (1934)
Big Steve Halloway, gambler and proprietor of New York’s Horseshoe Cabaret, where his girl, Bangles Carson sings, is in desperate need of money. He arranges for his fellow bookies, especially Sorrowful Jones, to each pay him $1,000 for his racehorse, Dream Prince, to lose. With all bets being placed at the window, Sorrowful encounters a gambler, having lost $500, wanting to place his bet but is unable to come up with $20. Instead, he places his daughter, Marthy Jane (Shirley Temple), as security, or in bookie’s terms, a “marker”. Having lost his bet, he commits suicide, leaving “little Miss Marker” under the care of Sorrowful Jones. As Steve hides out in Chicago to avoid investigation for his crooked bets, he entrusts Sorrowful to watch over Bangles during his absence, at which time the “gold digger” helps “tight-wod” with his trouble. When Big Steve learns Bangles is involved with Sorrowful, he returns to New York to do something about it.
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Journal of a Crime (1934)
A woman murders her husband’s mistress and someone else gets accused of the crime.
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Morning Glory (1933)
Wildly optimistic chatterbox Eva Lovelace is a would-be actress trying to crash the New York stage. She attracts the interest of a paternal actor, a philandering producer, and an earnest playwright. Is she destined for stardom, or will she fade like a morning glory after its brief blooming?
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