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Guest from the Future
Alice Seleznyova, a girl from the future, finds herself 1984. Following her are the space pirates Krys and Joker Y, with most nasty pirate’s intentions. Coming to her help is an ordinary boy, Kolya, and his friends from 6th grade. Based on Kir Bulychyov’s 1077 novel “One Hundred Years Ahead.”
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National Geographic Explorer
National Geographic Explorer is an American documentary television series that originally premiered on Nickelodeon on April 7, 1985, after having been produced as a less costly and intensive alternative to PBS’s National Geographic Specials by Pittsburgh station WQED. The first episode was produced by WQED and featured long-time Explorer camerman Mark Knobil, who is the few staff members with the franchise during all 24 seasons. The program is the longest-running documentary television series on cable television. Presented every Sunday from 5:00 PM to 8:00 PM, the original series was three hours in length, containing five to ten short films. Although the National Geographic Society had been producing specials for television for 20 years prior to Explorer, the premiere of the series required an increase in production from 4 hours of programming a year to 156 hours. Tim Cowling and Tim Kelly were the executive producers for the series during this transition.
In its 24 years on television, Explorer has worked for five television outlets. In February 1986, Explorer moved to TBS, where it had a successful run until September 1999, when it moved to CNBC. In October 2001, the series moved to MSNBC. In June 2003, the series re-launched itself on MSNBC as Ultimate Explorer, with Lisa Ling as the host. On July 8, 2004, Explorer joined the National Geographic Channel, where currently it airs every Tuesday night at 10:00 PM.
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The Ray Bradbury Theater
The Ray Bradbury Theater is an anthology series that ran for two seasons on HBO, three episodes per season from 1985 to 1986, and four additional seasons on USA Network from 1988 to 1992. It was later shown in reruns on the Sci Fi Channel. All 65 episodes were written by Ray Bradbury and many were based on short stories or novels he had written, including “A Sound of Thunder”, “Marionettes, Inc.”, “Banshee”, “The Playground”, “Mars is Heaven”, “Usher II”, “The Jar”, “The Long Rain”, “The Veldt”, “The Small Assassin”, “The Pedestrian”, “The Fruit at the Bottom of the Bowl, “Here There Be Tygers”, “The Toynbee Convector”, and “Sun and Shadow”.
Many of the episodes focused on only one of Bradbury’s original works. However, Bradbury occasionally included elements from his other works. “Marionettes, Inc.” featured Fantoccini, a character from “I Sing the Body Electric!”. “Gotcha!” included an opening sequence taken from “The Laurel and Hardy Love Affair.” Characters were renamed, and elements added to the original works to expand the story to 23–28 minutes or to better suit the television medium.
Each episode would begin with a shot of Bradbury in his office, gazing over mementos of his life, which he states are used to spark ideas for stories. During the first season, Bradbury sometimes appeared on-screen in brief vignettes introducing the story. During the second season, Bradbury provided the opening narration with no specific embellishment concerning the episode. During the third season, a foreshortened version of the narration was used and Bradbury would add specific comments relevant to the episode presented. During the fourth and later seasons, a slightly shorter generic narration was used with no additional comments.
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Kolp
Set in the fast and loose ambience of 1947 in West Germany, this story is about Hans Kolp, an inventive, teenage urban con artist who takes advantage of an out-of-control black market where almost any Allied goods can be stolen and traded for a tidy profit. Hans learns to speak good English from an American soldier friend, and bored with school — which is nothing more than a big room in the railroad station with only one teacher to mind all levels of students — the enterprising Hans starts a gang of petty thieves. Armed with a stolen jeep, the youngsters deal successfully in stolen goods, with Hans doing a good impression of a G.I. Business is so good, in fact, that when someone arrives to encourage Hans to get into the big-time with stolen vehicles and U.S. Army uniforms, the first crisis comes up in the small gang. Members want to back away from that level of dangerous dealing, but Hans wants to go for broke — a difficult decision that will determine the young con’s future.
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The Colbys
The Colbys is an American prime time soap opera, which originally aired on ABC from November 20, 1985 to March 26, 1987. Produced by Aaron Spelling, it was a spin-off of Dynasty, which had been the highest rated series for the 1984–1985 U.S. television season. The Colbys revolved around another wealthy, upper-class family, who were distant relatives of the Carringtons of Dynasty and who owned a large multi-national corporation. Intended to surpass its predecessor in opulence, the series’ producers were handed an immensely high budget for the era and cast a handful of well-known movie stars among its leads, including Charlton Heston, Barbara Stanwyck, Katharine Ross and Ricardo Montalban. However, The Colbys was ultimately a ratings disappointment, and was canceled after two seasons.
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In Sickness and in Health
In Sickness and in Health is a BBC television sitcom which ran between 1985 and 1992. It was a sequel to the highly successful Til Death Us Do Part, which ran between 1966 and 1975, and Till Death…, which ran for one series of six episodes in 1981.
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King Kong’s Fist
Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.
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The Breakfast Club
Five high school students, all different stereotypes, meet in detention, where they pour their hearts out to each other, and discover how they have a lot more in common than they thought.
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