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Mourning Becomes Electra (1947)
PKR 350Near the end of the Civil War, the proud residents of Mannon Manor await the return of shipping tycoon Ezra Mannon and son Orin. Meanwhile Ezra’s conniving wife Christine and daughter Lavinia vie for the love of a handsome captain with a dark secret while well-meaning neighbor Peter sets his sights on Lavinia.
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Out of the Past (1947)
PKR 350Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, CA. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
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Night Song (1947)
PKR 350A socialite (Merle Oberon) pretends to be poor and blind in her plan to help a blinded pianist (Dana Andrews).
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Body and Soul (1947)
PKR 350Charley Davis, against the wishes of his mother, becomes a boxer. As he becomes more successful the fighter becomes surrounded by shady characters, including an unethical promoter named Roberts, who tempt the man with a number of vices. Charley finds himself faced with increasingly difficult choices.
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Escape Me Never (1947)
PKR 350Romantic quadrangle involving two brothers- one a burgeoning ballet composer, a willful heiress and a waif.
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Two Blondes and a Redhead (1947)
PKR 350Socialite Cathy Abbott (Jean Porter(I)’) is working in the chorus of a Broadway show instead of being enrolled at an exclusive girl’s school as her parents think. When the show closes, she brings two of her chorus friends, Patti Calhoun (June Preisser) and Vicki Adams (‘Judy Clark’), home with her. In addition to trying to make her friends acceptable to the snooty society of which her family is part, she is also being blackmailed by a rival. She and her two friends win over the blue-bloods with a couple of chorus routines, and she discloses she will be marrying the butler, Tommy Randell (Jimmy Lloyd), rather than the pompous Freddie Ainsley (Rick Vallin).
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Green Dolphin Street (1947)
PKR 350Sophie loved Edmund, but he left town when her parents forced her to marry wealthy Octavius. Years later, Edmund returns with his son, William. Sophie’s daughter, Marguerite, and William fall in love. Marguerite’s sister, Marianne, also loves William. Timothy, a lowly carpenter, secretly loves Marianne. He kills a man in a fight, and Edmund helps him flee to New Zealand. William deserts inadvertently from the navy, and also flees in disgrace to New Zealand, where he and Timothy start a profitable business. One night, drunk, William writes Octavius, demanding his daughter’s hand; but, being drunk, he asks for the wrong sister.
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That Hagen Girl (1947)
PKR 350Mary Hagen lives in a small town in Ohio and goes to Jordon Junior College. For years, there has been whispers, rumors and gossip about who are her real parents. When Tom Bates returns to town, he takes over the house and practice that Judge Merrivale left him when he died. As Tom has been away a number of years, this leads to more gossip and Mary believes that he is her father. The popular and rich Ken loves Mary, but his family and friends constantly remind him that she is ‘not one of us’. Julia, a teacher at school encourages Mary but Mary cannot get a break in anything she does, or is accused of doing. Tom knows the answer to her true identity, and he is silent.
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Christmas Eve (1947)
PKR 350The greedy nephew of eccentric Matilda Reid seeks to have her judged incompetent so he can administer her wealth; but she will be saved if her three long-lost adopted sons appear for a Christmas Eve reunion. Separate stories reveal Michael as a bankrupt playboy loved by loyal Ann; Mario as a seemingly shady character tangling with a Nazi war criminal in South America; Jonathan as a hard-drinking rodeo rider intent on a flirtatious social worker. Is there hope for Matilda?
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Desire Me (1947)
PKR 350A war widow falls in love with the man who informed her of her husband’s death.
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Bury Me Dead (1947)
PKR 350Murder and obsession abound in this fast-paced mystery based on a radio play that begins with one of the most startling openings ever filmed! Directed by Bernard Vorhaus (The Spiritualist) and lensed by film noir’s finest cinematographer, John Alton, this under-the radar gem stars June Lockhart, Cathy O’Donnell and Hugh Beaumont. Produced at the now-legendary “noir factory” of Eagle Lion Productions.
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