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Perilous Holiday (1946)
Pat O’Brien makes the casual acquaintance of fellow American Ruth Warrick while on vacation in Mexico City. What Warrick doesn’t know is that O’Brien is a treasury agent, out to get expatriate counterfeiters Alan Hale and Edgar Buchanan. What O’Brien doesn’t know is that Warrick is also out to get Hale, whom she holds responsible for her father’s death.
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Strange Impersonation (1946)
A female research scientist conducting experiments on a new anesthetic has a very bad week. Her scheming assistant intentionally scars her face, her almost-fiancee appears to have deserted her and she finds herself being blackmailed by a women she accidentally knocked down with her car. So what is one to do?
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The Mask of Diijon (1946)
A stage illusionist plots revenge after a particularly humiliating comeback attempt.
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Road to Utopia (1946)
Duke & Chester on a ship to Skagway, Alaska, find a map to a secret gold mine, which had been stolen by thugs, McGurk & Sperry. Meanwhile, Sal Van Hoyden is in Alaska to try and recover her fathers map. She falls in with Ace Larson, who wants to steal the gold mine for himself. Duke & Chester, McGurk & Sperry, Ace, his henchmen & Sal, chase each other all over the countryside, all after the map.
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Breakfast in Hollywood (1946)
The goings on of a few members of a radio show’s audience is the premise for this feature film derived from the popular ABC radio show of the 1940’s. This film features Tom Breneman, the radio show’s host, as well as Bonita Granville, Beulah Bondi, Zasu Pitts, Billie Burke and Hedda Hopper. Musical performances are provided by Nat King Cole and the King Cole Trio, along with Spike Jones and his City Slickers.
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Pepita Jimenez (1946)
On March 22, four days after returning to his home in Andalusia, Luis de Vargas writes the first of his letters to his uncle and favorite professor at the seminary. He reports that his father intends to fatten him up during his vacation, to have him ready to return in the fall to finish his training for the priesthood. He mentions in passing that his father is courting a twenty-year-old, attractive widow, Pepita Jiménez; his father is fifty-five years old. Pepita had been married for only a short time to an eighty-year-old moneylender named Gumersindo. Luis is not eager to see his father marry again, but he promises his uncle not to judge Pepita before he knows her.
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Little Giant (1946)
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he’s a crackerjack salesman. This comedy is somewhat like “The Time of Their Lives,” in that Abbott and Costello don’t have much screen time together and there are very few vaudeville bits woven into the plot.
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Morning for the Osone Family (1946)
A Japanese family weathers much hardship after their military uncle comes to live with them during WWII.
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Gilda (1946)
Just arrived in Argentina, small-time crooked gambler Johnny Farrell is saved from a gunman by sinister Ballin Mundson, who later makes Johnny his right-hand man. But their friendship based on mutual lack of scruples is strained when Mundson returns from a trip with a wife: the supremely desirable Gilda, whom Johnny once knew and learned to hate. The relationship of Johnny and Gilda, a battlefield of warring emotions, becomes even more bizarre after Mundson disappears…
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