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Venom (1981)
International terrorists attempt to kidnap a wealthy couples child. Their plan comes unstuck when a deadly Black Mamba, sent by mistake instead of a harmless snake, escapes and the terrorists and several hostages are trapped in the boy’s London home.
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Nine to Five (1980)
Frank Hart is a pig. He takes advantage in the grossest manner of the women who work with him. When his three assistants manage to trap him in his own house they assume control of his department and productivity leaps, but just how long can they keep Hart tied up?
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King of the Gypsies (1978)
Zharko, leader of the Romanis in NYC, passes his position of leadership on to his unwilling grandson, Dave, leading to infighting between Dave and his father.
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The Final Programme (1973)
After the death of his Nobel Prize-winning father, billionaire physicist Jerry Cornelius becomes embroiled in the search for the mysterious “Final Programme”, developed by his father. The programme, a design for a perfect, self-replicating human being, is contained on microfilm. A group of scientists, led by the formidable Miss Brunner (who consumes her lovers), has sought Cornelius’s help in obtaining it. After a chase across a war-torn Europe on the verge of anarchy, Brunner and Cornelius obtain the microfilm from Jerry’s loathsome brother Frank. They proceed to an abandoned underground Nazi fortress in the Arctic to run the programme, with Jerry and Miss Brunner as the subjects.
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Loving (1970)
Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might still produce something worthwhile.
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Terror in a Texas Town (1958)
Armed with a harpoon, a Swedish whaler is out for revenge after the death of his father. A greedy oil man trying to buy up the Swede’s land might be the guilty party.
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Gun Battle at Monterey (1957)
An outlaw saved by a Mexican girl hunts the holdup partner who shot him in the back.
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The Killing (1956)
The Killing was Stanley Kubrick’s first film with a professional cast and the first time he achieved public recognition as the unconventional director he’s now known for. The story is of ex-prisoners who plan to set up a racetrack so they can live a life without monetary worries. One of the more exceptional films of the 1950’s.
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