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Utt Pataang (2011)
Mumbai-based Ramvilas Sharma has just broken-up with Sanjana Mahadik, a former bar dancer, with whom he had a six month relationship. His private-detective friend, Nandan Pandey, attempts to counsel him over this break-up, and even encourages him to meet other women. Ramvilas does meet with a homeless woman, Koel Datta, befriends her, and even brings her to spend the night in his flat but will be interrupted when Sanjana will come to take her belongings back and will leave a bag full of cash. Everyone will find their respective lives turned upside when they will be ‘interrogated’ by a suave French-speaking crook, Lucky Sardana, after the bag goes missing.
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Chala Mussaddi – Office Office (2011)
Mussaddi Lal (Pankaj Kapoor), a retired school teacher goes on a pilgrimage for three months after his wife’s death. When he returns, he finds his pension has been stopped and the pension office has declared him dead. What follows is his endless struggle against the petty corruption in the government office where the infamous gang of five — Manoj Pahwa, Sanjay Mishra, Deven Bhojani, Hemant Pandey and Asawari Joshi — are determined to fleece him till the very end.
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Ankhon Dekhi (2013)
Raje Bauji is a man in his late fifties, living out a dreary but eventful life in a small house in old Delhi where he lives with his extended family. A random incident is going to change his life in a dramatic way- though he does not realize it yet.
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Dum Laga Ke Haisha (2015)
Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out
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Masaan (2015)
Four lives intersect along the Ganges: a low caste boy in hopeless love, a daughter ridden with guilt of a sexual encounter ending in a tragedy, a hapless father with fading morality, and a spirited child yearning for a family, long to escape the moral constructs of a small-town.
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Great Grand Masti (2016)
Amar, Meet and Prem go into a small town where they encounter a ‘femme fatale’ in the form of Ragini. Ragini is everything they had dreamed of, but she slowly turns into their worst nightmare!
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Anaarkali of Aarah (2017)
Hailing from Aarah in Bihar, Anarkali is an item girl, famous for her vocals, suggestive dance moves and innuendo laden lyrics. She enjoys her stardom and revels in the lusty glances. The singer acknowledges that she is no saint and even makes peace with the hatred she evokes among civilised society but what she refuses to tolerate is being exploited in public by an influential politician.
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Laali Ki Shaadi Mein Laaddoo Deewana (2017)
Laali and Ladoo get trapped in a royal wedding that takes place in Vadodara.
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Dear Guest, When Will You Leave? (2010)
Atithi Tum Kab Jaoge? is the story of Puneet and Munmun, a happily married couple living in Mumbai whose lives take an interesting turn when a distant relative, Chachaji turns up unannounced at their doorstep from a far off village. The guest overstays his welcome so much so that the exasperated couple come up with various ploys to hasten his departure to hilarious results.
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