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Kissin’ Cousins (1964)
$15.00An Army officer returns to the Smoky Mountains tries to convince his kinfolk to allow the Army to build a missile site on their land. Once he gets there, he discovers he has a lookalike cousin.
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Middle of the Night (1959)
$15.00Betty Preisser, an attractive 24 year old divorcee, works as a secretary in the hard-boiled atmosphere of Manhattan’s garment district. Her workaholic boss Jerry (Frederick March) is feeling his own mortality. He’s overworked and lonely. He’s a 56 year old widower, but still enmeshed in his family obligations. His bossy older sister Evelyn has moved in with him and he has a married daughter Lillian and grandchild who live nearby.
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Secret of the Incas (1954)
$15.00A daring adventurer searches Peruvian jungles for ancient treasure. Before Indiana Jones there was Harry Steele (Charlton Heston), an idealistic archaeologist determined to return an ancient Incan mask to the society from which it came. A greedy con-artist (Robert Young) has other ideas, though, and the two men race to fund an expedition to find the treasure, which has reportedly been buried by Spanish conquistadores somewhere in Machu Picchu. The con-artist (Young) seduces a beautiful tourist in order to reach his goal, leaving Steele (Heston) to locate the site through more honorable means. Twenty-seven years before directors George Lucas and Steven Spielburg collaborated to create Indiana Jones: Raiders of the Lost Ark, Jerry Hopper directed Secret of the Incas.
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Girls in the Night (1953)
$15.00Juvenile delinquents (Joyce Holden, Glenda Farrell, Harvey Lembeck) trap a neighborhood hoodlum in New York.
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Heading For Heaven (1947)
$15.00A fake swami and his crooked business partner, hoping to buy the land that’s targeted for a new airport, convince the property’s owner that he hasn’t long to live.
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Klondike Kate (1943)
$15.00A young man in Alaska finds himself accused of murder, and must fight to clear his name.
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Twin Beds (1942)
$15.00Twin Beds (1942) is a film distributed by United Artists, directed by Tim Whelan, and starring by George Brent and Joan Bennett. The screenplay was written by Kenneth Earl, Curtis Kenyon and Eddie Moran, based on play by Salisbury Field and Margaret Mayo.
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Torchy Gets Her Man (1938)
$15.00A notorious counterfeiter passes himself off as a Secret Service agent to Steve and gets him to unwittingly help him bilk the racetrack out of tens of thousands.
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Prison Break (1938)
$15.00Barton MacLane stars as a tuna fisherman who has been wrongfully convicted of a murder he did not commit. His exemplary behavior in prison ensures that he is up for early parole. He realizes, however, that his movements will be limited, and he will be unable to join and wed his beloved. The only solution is to escape and hunt down the real killer, himself.
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The Adventurous Blonde (1937)
$15.00The third of nine Torchy Blane movies. Angry that police detective Steve McBride (Barton MacLane) is giving preferential treatment to his fiancée, reporter Torchy Blane (Glenda Farrell), reporters from a rival newspaper plan a fake murder with the idea that Torchy’s paper will print the story and look foolish, teaching a lesson to Torchy and McBride. The tables are turned when the fake murder turns out to be the genuine article.
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Gold Diggers of 1937 (1936)
$15.00Stage-producer J.J. Horbart, is going to put on a new show, but he doesn’t know that his two partners lost the money at the stock market. Insurance salesman Rosmer Peck falls in love with ex chorus-girl Joan Blondell, who’s friend Genevieve tries to land on one of J.J Horbat’s partners. They come up with the idea to insure J.J. for $1 Million, to get the money back when he dies. Rosmer sells him the policy. After the insurance Company finds out that he’s only a hypochondriac, an attempt to kill him accidently fails, and Genevieve falls in love with J.J. But when J.J. is informed that he is putting on a show with no money he has a breakdown. The only possibility to restore his health is putting on the show, in spite of the lack of money.
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Here Comes Carter (1936)
$15.00A radio commentator avenges an old wrong by blowing the whistle on Hollywood scandals
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