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Nestor the Long-Eared Christmas Donkey
Nestor, The Long-Eared Christmas Donkey is a Christmas television special produced in stop motion animation by Rankin-Bass. It was first aired in 1977, and its plot is similar to an earlier Rankin-Bass special, Rudolph the Red-Nosed Reindeer.
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Peter Potamus
Peter Potamus is an animated television series produced by Hanna-Barbera and first broadcast on September 16, 1964.
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The Get Along Gang
The Get Along Gang are characters created in 1983 by American Greetings’ toy design and licensing division, “Those Characters from Cleveland”, for a series of greeting cards. The Get Along Gang are a group of twelve pre-adolescent anthropomorphic animal characters in the fictional town of Green Meadow, who form a club that meets in an abandoned caboose and who have various adventures whose upbeat stories intended to show the importance of teamwork and friendship. The success of the greeting card line led to a Saturday morning television series, which aired on CBS for 13 episodes in the 1984-1985 season, with reruns from January until June 1986.
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The Duck Factory
The Duck Factory is a 1984 NBC television series produced by MTM Enterprises that is perhaps most notable for being Jim Carrey’s first lead role in a Hollywood production.
The show was co-created by Allan Burns. The premiere episode introduces Skip Tarkenton, a somewhat naive and optimistic young man who has come to Hollywood looking for a job as a cartoonist. When he arrives at a low-budget animation company called Buddy Winkler Productions, he finds out Buddy Winkler has just died, and the company desperately needs new blood. So Skip gets an animation job at the firm, which is nicknamed “The Duck Factory” as their main cartoon is “The Dippy Duck Show”.
Other Duck Factory employees seen regularly on the show were man-of-a-thousand-cartoon voices Wally Wooster; comedy writer Marty Fenneman; artists Brooks Carmichael and Roland Culp, editor Andrea Lewin, and business manager Aggie Aylesworth. Buddy Winkler Productions was now owned by his young, ditzy widow, Mrs Sheree Winkler, who had been married to Buddy for all of three weeks before his death.
The Duck Factory lasted thirteen episodes; it premiered April 12, 1984. The show initially aired at 9:30 on Thursday nights, directly after Cheers, and replaced Buffalo Bill on NBC’s schedule. Jay Tarses, an actor on The Duck Factory, had been the co-creator and executive producer of Buffalo Bill, which had its final network telecast on Thursday, April 5, 1984.
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Hong Kong Phooey
Hong Kong Phooey is a 16-episode Hanna-Barbera animated series that first aired on ABC Saturday morning from September 7, 1974 to December 21, 1974. It was a parody of kung fu shows and movies of the time.
The main character Hong Kong Phooey is a clownishly clumsy secret alter ego of Penrod “Penry” Pooch, working at a police station as a “mild-mannered” janitor under the glare of Sergeant Flint. He transforms himself into Hong Kong Phooey upon running into a magic filing cabinet despite always getting stuck – and unstuck by his cat Spot – and once transformed, gets equipped with the “Phooeymobile” vehicle that transforms itself into a boat, a plane, or a telephone booth depending on the circumstances. He fights crime relying on his copy of The Hong Kong Book of Kung Fu, but he succeeds only thanks to his cat Spot who provides a solution to the challenges or they are solved by himself as result of a comically unintended side effect of his conscious efforts. Background was designed by Lorraine Andrina and Richard Khim.
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Felix the Cat
Felix the Cat is the first television series featuring the famous cartoon character Felix the Cat.
In 1954 Otto Messmer retired from the Felix daily newspaper strips, and his assistant Joe Oriolo took over. Oriolo struck a deal with Felix’s new owner to begin a new series of Felix cartoons on television. Oriolo went on to star Felix in 260 television cartoons distributed by Trans-Lux. Like the Van Beuren studio before, Oriolo gave Felix a more domesticated and pedestrian personality, geared more toward children, and introduced now-familiar elements such as Felix’s “Magic Bag of Tricks”, a satchel that could assume the shape and characteristics of anything Felix wanted.
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